Kenzi Shiokava's sculptural practice combined traditional woodcarving with found-object assemblage, building towering wooden totems out of a refurbished auto body shop in Compton. Published by Delmonico Books, this first comprehensive monograph on the Los Angeles–based, Nippo-Brazilian artist accompanies the inaugural retrospective of his work, organized by MCA Chicago. Edited with an introduction by Nolan Jimbo, the volume includes a foreword by Madeleine Grynsztejn and texts by Michiko Okano, Naima J. Keith, and Aram Moshayedi, tracing Shiokava's decades of artmaking across nature, spirituality, and material culture.